Marine Art of the 19th Century
The marine marks a landscape painting genre, where the sea is portrayed in the most diverse expressions of this fluid element. The pioneers of the sea landscape genre in the 17th century were painters from Holland, and they later inspired many generations of artists. The Hollanders created several marine types, painting the sea during various stages of the day and night, showing it agitated by storms or in a calm state, portraying sea battles and views of ports. In Holland, the tradition of the grand masters was also continued by 19th century seascape artists like Johannes Christian Schotel (1787─1838) and David Kleyne (1754 ─1805) , whose works can be seen in the exhibition.
The exhibited paintings feature popular 19th century sea landscape motifs: along with generalized scenes of storms, the artists also enthusiastically painted romantic landscapes with cliffs in the sunset. Variations on the coast of the Bay of Naples, with the outline of Vesuvius or the Isle of Capri, were favoured motifs. During this period, artists also increasingly focused on other geographic regions, especially the local landscape.
An intensified interest in the sea in art, and a new interpretation of this theme appeared in the era of Romanticism, when artists associated phenomena in nature, particularly the changing surfaces of water, with the reflection of their emotions. In this way, the stormy sea with its sinking ships in the compositions of artist Carl Friedrich Schulz (1796─1866) and Norwegian painter Johann Christian Clausen Dahl (1788 ─1857), has become a metaphor for people’s resistance to the setbacks of life.
Whereas in the late 19th century influenced by the Impressionist style, artists used a rich palette of colours, attempting to achieve the effects of light and the vibrations of the sea air on the canvas.
The magic of indomitable water elements has fascinated people in all eras, which is why the marines from the 19th century continue to attract viewers and collectors of art.
Dutch painters and other Old Masters were specifically studied, and their works were copied by Ivan Aivazovsky (Иван Айвазовский, 1817─1900) during his learning process. Paintings by Aivazovsky can be viewed at the exhibition “Metaphysicks of Light” at the Great Exhibition Hall in Art Museum RIGA BOURSE.
More Events > Exhibitions
Aija Zariņa. Wake Up, Wake Up, Free Spirit
Creation is also the main task of an artist, and the meaning of every human being’s life also lies in creation
Frančeska Kirke. trauslums / fragile/
eyes of a person living in the 20th–21st century, with the memory, experience and traumas of my generation
Me, Lūcija Zamaič, and My Words
When she wrote poems about the emotions of women, Lūcija Zamaiča was never shy